It moves with precision and deliberation, and avoids all possible quirks (except for a headshell that’s a little too big if you’re using a record clamp or weight). But the PU-7 excels because it is so unfussy about set-up. We reviewed the Audio Origami tonearm from Scotland with the Palmer 2.5i turntable–it’s a synergistic match that sells extremely well out there in the world. (A certain designer of a six-figure turntable we know claims nothing else comes close.) The four-point design certainly thrills the engineers out there-it’s an elegant way of ensuring the cartridge stays in the groove with minimal vibrations, sort of an important feature. Named for the fact that its zero-play bearing is configured on four points, the Kuzma has quietly emerged as one of the finest tonearm designs on the market today. Kuzma 4Point ($3,795-8,995 USD depending on length and options) (It comes in 9.5”, 10.3” and 12” lengths.) Competitive with much more expensive arms, The Wand will convince you that a properly designed tonearm can have a huge impact on the sound of your analog rig.
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The flagship Master Series of unipivot tonearms from New Zealand’s The Wand features an unusually thick carbon-fiber arm tube that is much more rigid than normal tubes, and enough accessories to mount it on many, many different ‘tables. The Wand Master Series ($2,500-3,250 USD depending upon length)
You can also select from a long list of options-arm lengths, finishes, headshells, cables and more. The Schick arm is ideal for SPUs and can be ordered to match both SPU-A and SPU-G designs. This tonearm has a relatively low price because it’s a relatively simple design, but its elegance is off the charts.
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